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I enjoy fairy tales that feel like warnings. With this story, The Wizard and the Raven, I set out to capture that mood: something lyrical and eerie, something that reads like it’s been told before, and will be told again. The Wizard and the Raven explores longing, transformation, and the price we pay to become
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Moonlit cellars and midnight studies are the stages Edgar Allan Poe sets for the uneasy quarrel between instinct and reason. In his tales, the boundary between man and beast thins to the width of a shadow: a raven croaks a single, damning word; a cat’s steady gaze needles a drunkard’s conscience raw. Poe does not grant these
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Book update! It’s been a daunting journey, but I’m excited to share that I’m about 80% finished with a major developmental edit of my novel! This stage of the process has been one of the most challenging and most rewarding parts of writing so far. Every chapter, every scene has asked for more care, more
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Transformation is often imagined as something poetic, something endowed with purpose. But what of the changes that bring only ruin? What about the slow unraveling, the spaces left behind, and the silence that settles like dust? For a recent humanities course, I was assigned to write a passage from Franz Kafka’s The Metamorphosis—not through Gregor’s
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There comes a time in every writer’s journey when the story we imagined, the one we poured our blood, sweat, and sleepless nights into, meets the cold scrutiny of an editor’s eye. And in that moment, we see it for what it truly is. Not a failure, not a mess, but something unfinished, something waiting


